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with a front panel that had a rectangular grill cloth with rounded corners and looked much like a television of that era.

In 1953 the cabinet designs were changed to the so-called "Wide Panel" design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth.

The P10Q Jensen speakers are more able to manage stronger electrical input power and generate better "clean" output sounds than previous installed P10R Jensen speakers.

The P10R Jensen speakers were shipped within all Fender Bassmen from late 1954 until early 1960.

In late 1960, Fender introduced a completely redesigned model 6G6 Bassman Amp, using the "piggy-back" design, in which the amplifier chassis is housed in a small cabinet, attached by metal clips to a larger separate speaker enclosure.

The early models were called "Brownface" because of the dark brown color used on the control panel.

During 1958, Fender introduced the model 5F6-A Bassman model.

Several Bassman models were progressively influenced by the 5D6 through the last Fender Tweed 5F6-A Bassman's circuit design.

The 5F6-A Bassman's design was directly copied by Marshall Amplifiers within their JTM-45 amplifier during the early 1960s. The first series of the reissue were made at the Corona, California facility, and came equipped with four Eminence-made 10" blue frame Al Ni Co speakers, and a solid state rectifier unit.

The lowest serial number known to still exist is 0013 (Frank Roy), 0035 (Albert Talley), 0075 (Jim Cornett), 0077 (Perry Tate), 0089 (Mark Grandfield), 0701, 0745 (Walter Horton), 0769 (Hayes Kolb), 0780 (sold on e Bay Nov 2006), 0783, and 0785 (Hayes Kolb) are among those still known to exist.

Fender began making other models with tweed covering, a similar open backed cabinet with a rectangular grill cloth and a narrow (just over an inch wide) tweed covered panel at the top and bottom.

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